The Great Alaskan Race
Feature film project, set against the challenging backdrop of winter mountain conditions, including blizzards and sub-zero temperatures, I served in multiple pivotal roles, including B-Camera Operator, Aerial Drone Pilot, and Gimbal Operator. The production was captured using one of my RED 8K Cinema Cameras, paired with premium t2 CineAlta Cinema Primes. This project, marked by its demanding environment and technical complexity, successfully led to a theatrical release, showcasing our ability to deliver exceptional content under extreme conditions.
Journey Into Space
In this IMAX production, a documentary film exploring the intricacies of the space program, I undertook the role of Assistant Camera, contributing to a project that required meticulous precision and expertise. Filmed in 3-D using two advanced RED cameras, our work took place within a Las Vegas space laboratory, where cutting-edge, futuristic systems are developed. My involvement in this documentary underscores the capacity to deliver exceptional visual content in settings where precision is paramount.
(un)feeling
For this quirky short film based in Las Vegas, I was the Director of Photography, utilizing my own Red camera and CineAlta lenses. This film played at several film festivals within the Vegas area. The shoot presented numerous technical challenges, including the incorporation of on-camera practical effects. My involvement highlighted the ability to navigate complex production demands while delivering visually compelling content.
Fat Ass Zombies
On this zombie comedy feature film shot in a quaint Texas town, I stepped in to contribute as Assistant Camera and Director of Photography for aerial shots during pick-ups. Utilizing my RED Camera, I was able to ensure the capture of high-quality visuals that enhanced the storytelling. This role demanded versatility and technical skill, seamlessly integrating into the existing production workflow to support the film’s visual narrative. My participation in this project underscores a commitment to excellence and adaptability in the dynamic production environment.
How Jessica Died
In this horror feature film shot in Las Vegas, featuring Penn Jillette, I was entrusted with the roles of Digital Image Technician, B-Camera Operator, and Aerial Photographer. Notably, this project included the ambitious scene of driving an army tank through a mansion. My involvement was critical in managing the digital workflow, capturing essential secondary footage, and providing aerial shots that added a dynamic perspective to the film.
Starf*cker